He, as nobody else, knew how to combine the rhythmic cadence of tango with a harmonic structure, apparently simple, but full of nuances and subtleties.
He was not enrolled for any of the two streams of his time. His was neither a traditional orchestra, styled after Firpo or Canaro nor a follower of the De Caro renewal.
Di Sarli imposed a seal of his own; a different musical profile, which remained, unaltered throughout his prolonged career.
In the beginning, his sextet reveals us the influence of Osvaldo Fresedo. And certainly, I think there would have never been a Di Sarli had not existed a Fresedo. But, only as necessary forerunner of a style that, with time, would become a pure model with its own and differentiated nature.
He was a talented pianist, maybe one of the most important, who conducted his orchestra from his instrument, with which he mastered the synchrony and the performance of the outfit.
In his orchestral scheme there were not instrumental solos, the bandoneon section sang at times the melody, but it had an essentially rhythmic and danceable role. Only the violin was showcased in an extremely delicate way, on a brief solo or on a counter melody.
The piano led in a suggesting way, with an embellished bass line, which turned into a trademark of the maestro, linking the bars of the piece and stressing the delicate, elegant rhythm, especially for dancing.

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January  2011***********************************************************************


January 8th

Special workshop by
Armando Orzuza and Nuria Martinez


Armando & Nuria have been dancing professionally as partners since 2007. Armando has appeared in Film (Assassination Tango and Evita); choreographed for Madonna’s Re-invention Show; Nuria has performed in opera productions with Luis Bakalov and Placido Domingo as well as in musical theatre (West Side Story). They both have toured together the US and Europe teaching and performing in tango festivals and theaters. They currently live in Boston and they are the resident tango teachers at New England Tango Academy
Workshop from 6:30 PM till 8:00 PM

First level directed by

OSBALDO DUFAU

from 7:00 PM till 8:00

DJ CLAUDIO SOLORZANO


Milonga Starts at 8:00 PM till 2:00 AM

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Lessons before milonga. January 15th

Starting this year, we wanted to give you a great gift.
Our pre- Milonga lessons are going to be tought by:

Luna Palacios and Claudio Solorzano.

You cant miss the chance to learn from this 2 fantastic teachers!

Join us every sunday before our milonga from 7pm to 8pm

The lesson is included in the price of your entrance!!!

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CARLOS DISARLI

The International Club of Argentine Tango of South Florida, started out as an idea of a group of tango lovers. This idea became a reality thanks to the support and collaboration of this group of dreamers of diverse nacionalities, who then formed the Board of Directors.
C.I.T.A. was always meant to be a non for profit organization to promote professional artists living in U.S.A, from Argentina and other countries as well as helping and contributing to others in need. keep reading about us
Pianist, leader and composer
(January 7, 1903 – January 12, 1960)
Nickname: El Señor del Tango
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FEATURED ARTIST OF THE MONTH
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